Friday 23 September 2011

Not Quiet Nancy: Modern Prostitution

Crime and the law are not stable entities; rather they are constantly in flux, evolving with and around a society, for example in times of economic crisis, when employment goes down the prison population goes up.  This is not necessarily because there are more criminals but rather because there is an ‘ideologically motivated response to a growing number of financially marginalised people.’(Hale et al. in McLaughlin and Muncie P96) Society fears the actions of the potentially desperate and so issues a ‘pre-emptive’ strike against crime by increasing the severity of sentences. 

In most societies however, crime is something which is outlawed by the state, these laws are made by the most powerful people in any given society and seldom properly protect the weak.  Most notably, Prostitution laws are mostly made to stop prostitutes rather that those who solicit them or to address the factors which have caused these women to turn to prostitution.  The critic Barbara Hudson points out ‘that crimes against the weak seldom get as far the criminal justice system, they are undiscovered, unreported, un-investigated, unresolved, unprosecuted and in the end forgotten.’  (Hudson 2009 lecture) 

One area of feminine crime which has not changed that much with the passage of time is prostitution.  It has strongly resisted any and all attempts at reform in the UK and Ireland on the basis that while society’s general make up may alter Christian values still hold sway and religion itself tends towards a patriarchal stand point.  I have not the space here to do justice to the topic nor to give sufficient depth of analysis but it is true that in many patriarchal societies the only thing of value that a woman had to sell was her physical form.  From Irish Brehon law, which saw prostitutes as less than people and void of an honour price, to the Victorian period were prostitution itself was illegal, but generally overlooked.  It was only when these outcast and despised members of society were accused of being disorderly or ‘nuisance prostitutes’ that they felt the force of the legislation or criminal proceedings. 

                Little or none of the legislation which was introduced to govern prostitution was made to deal with those who utilised prostitutes, which were mostly men.  Pat Carlen argues that this was largely due to the fact that male sexual acts had few visible results, the man bore no outward sign of the ‘disgrace’ associated with the using prostitutes while ‘[w]omen’s sexual misdemeanours’ often resulted in pregnancy (Carlen, 1983 P28)

In much the same way in which the Contagious Diseases Act 1864-1869 made women bear the blame for the spread of sexual disease but did nothing to deter the men that used prostitutes.  Women could be harassed and imprisoned in hospitals on suspicion of having a sexually transmitted disease while the men who through the use of multiple prostitutes and sexual partners bore none of the responsibility.  Indeed there were critics at the time who claimed that the Act did nothing but encourage the use of prostitutes as it ensured that the women who did sell their bodies were ‘safer’ as they were more likely to be free of infection.  The nurse Florence Nightingale was one of many women who signed the ‘Women’s Protest’, which was eventually resulted in the repeal of the Act in 1886. 



Bibliography Available

Getting Serious!

Okay! So I have been keeping a vague sort of thing on the go for ages now and thought it best to composite it all in one place and make it all a bit more focused - after all I have started my Phd which is all about Victorian law and it's affect on the literature of the age.  So I get to spend the next few years up to my eyes in the worst travesties of the Victorian legal system and lots of books - great right!?


The literature in question is a lot of the stuff you might expect really -Sherlock Holmes, Wilkie Collins, even a bit of Dickens for the civil law stuff.  I would have tried to cram in a bit of Poe but it might have been a touch too ambitious since the general focus is the operation of the UK legal system rather than the US one- although I am still in two minds over the inclusion of some traditionally 'Irish' Victorian writers since it was pre-1921 and as such they would have been subject to English law and as such fall under the auspices of the researches wider umbrella.

To say that it's not motivated by an overwhelming desire to hide from the job market while getting to read Sherlock Holmes over and over again and the rest of the canon of early detective fiction.  I might also be something of a creep for looking forward to trawling through the rather florid articles in The Illustrated Police News and the like - they shouldn't be amusing because they are depictions of actual events and incidents involving real people but the little drawings are so overly dramatic that I can't help but smirk at them.

Basically the purpose of this blog will be largely the same as the old postings but with a bit more focus, Ill be throwing things up that relate to Victorian law, Victorian literature or any sort of related bits and pieces that take my fancy - so it won't be changing that much just with a little more focus than before.  Granted I still might go off on tangents and post random things that seems totally unrelated, the truth is that they might well be but they have taken my fancy or have been sparked by some crazy thought process relating to my research.  So here we go!

Thursday 22 September 2011

Five Daughters

I recently watched the BBC mini series ‘Five Daughters’.  I'd seen it before but while taking a well deserved disertation break I managed to catch it a second time when I could give it my full attention. 



‘Five Daughters’ is the stories of the Anneli Alderton, Paula Clennell, Gemma Adams, Tania Nicol and Annette Nicholls, the victims of Steven Wright, dubbed in the media ‘The Suffolk Stranger.’  It follows the last few days of these women’s lives as they try to protect themselves and come to terms with the death of their friends. 

When the series originally aired, I like many people, was concerned and angry as to how the events and the people involved would be treated in the serial and I originally refused to watch.   The media in general place their emphasis on those who commit the crimes rather than the victims – most people can recognise the names or the faces of Myra Hindley, Ted Bundy, Jack the Ripper, John Wayne Gacy, but few would recognise the names of Janice Ann Ott, John Kilbride, Elizabeth Stride, and Darrell Sampson as their victims.  We are presented with headlines and pictures of the criminals looking callous or insane, with scant mention of the victims unless it is to point out how their lifestyle got them into trouble, as with Peter Sutcliffe victims, or how their lifestyle or age makes them even more pitiable. 

I admit now that my reservations were merely presuppositions on my part and I was entirely incorrect in what the scope of the show actually was.  It wasn’t a slasher movie; it didn’t portray Wright as a mythic Jack the Ripper type killer, indeed the actor playing himself was only on screen for about three minutes at the end. 

It instead, focused on the human tragedy of the events of October to December 2006 and the relationships of these women with each other, their families, and the police.  It was impressive that director Phillipa Lowthorpe, writer Stephen Butchard, and the BBC did not give in to the temptation to create a CSI/Silent Witness style show which I think would have diminished the series. 

Instead, the approach was sensitive and Natalie Press, Eva Birthistle, Jaime Winstone, and Aisling Loftus portrayed the girls as real people with real problems not as preconceived stereotypes of the fallen woman or as pretty woman parodies of their lifestyle.  It seemed a candid view of the victims lives. 

The victim centric approach is such a change from the normal series of this genre and the emphasis on the human tragedy rather than the morbid fascination in their deaths helps to diminish the cult of notoriety that often attaches itself to people like Wright.  Well done BBC, in a genre where it is all too easy to forget the victims they’ve done a great job in focussing on the people who were really affected by the events of October – December 2006

EDIT!
I'd also like to add that the program that helped many of the street workers in Ipswich in the wake of the murders is on the brink of closure.  Help Save the ICENI - Sign the PETITION

If you've been affected by anything relating to the series please take a look at the BBC support site - HELP

Tuesday 20 September 2011

Moving!

Excellent the move is almost complete! I have scraps and things posted on the old blog site but since by other blog is here it would seem to make sense to move this one as well!

An archive will follow (at some stage) but for the moment this is the new address!